HENRY'S
He Rides Again
SCATTERED SHOWERS
PATCHWORK
JANE LIVES
Meet at The Drawing Room (10253 97 st) on Friday, May 2 at 6 pm to join me on a Dérive through the inner city. Along with Leanne Olson, I will be hosting a psychogeographic tour taking us off our predictable paths and jolting us into a new awareness of the urban landscape.
POOP IN PUDDLETOWN
CYCLOPS
HEY LADIES
It’s always fun to find a bit of humour and whimsy on my travels. I saw this wheat-pasted poster along 124 Street. The fine print reads: “Won’t you take this job and mend this heart of mine?”
(LOCA)LOCOMOTION
GASTROSOPHY
Dear friends,
You're invited to Gastrosophy, an exhibition about the art and science of good eating. I am one of seven artists exploring the social, political and cultural functions of food in this exhibit.
They examine themes of its substance, social value, personal and cultural experiences, rituals of preparation and consumption and issues related to global production and distribution across media. Ultimately, the question that binds all of these artists together is: “What are we actually doing when we sit down to eat?” — Olivia Chow, Curator
At the opening, I will be performing a piece titled Practical Magick; of Kitchen Witchery where I will be sharing bread and tea in the kitchen space.
This piece explores mundane magic and subtle acts of superstition that are taken for granted in our everyday lives, for example, tossing spilled salt over your left shoulder or using aloe vera. The artwork was inspired by the innocuous doll in my mother's kitchen—the traditional scandinavian poppet, known as a Kitchen Witch, used as a rustic talisman to protect the home and bring good luck—and evolved to encompass references to superstitions, old wives tales, folk magic and ancient pagan traditions.
Because the kitchen is associated with the hearth and is of great importance to folk magic traditions throughout history, I choose to occupy the kitchen space of the gallery, transforming it through performance of rituals like baking bread and brewing tea. In this work, I recreate the space of my kitchen at home by bringing objects from my collection, and creations of more recent origin for the purpose of the exhibition to share with the viewer. I perform the role of kitchen witch—a solitary practitioner of domestic magic and personalized rituals.
The exhibit will also feature a performance of making traditional chinese dumplings. Caution: it may contain flour, meat, shrimp, vegetable, soy, sugar, sesame and traces of peanuts
Join me at the reception tomorrow!
Friday, March 7, from 7 to 10 pm
at The Works Gallery at Jackson Power, 9754 - 60 Ave
ONE LOVE
The City of Edmonton, the Alberta Legislature, and University of Alberta are flying the pride flag in support of LGBTQ athletes competing at the Olympics in Sochi, Russia. The flag will remain in place on the community flag pole until the games are over. Beginning in St. John's, Newfoundland, the trend quickly spread accross the country to include cities such as St. Albert, Calgary, Toronto, Montreal, Vancouver, and Ottawa.
This week's edition of Back Words is brought to you in part by Colour Your Flag, a community-wide design challenge that invites Edmontonians of all ages to learn about flags and flag design. We want to have some fun, to know how you understand and experience Edmonton. How would you represent the city and your life here through your own flag? What symbols, colours, messages would you use? Go to colouryourflag.com for more information and to submit your own design!
DEAL WITH A WHITE DEVIL
ALPHABENE
HAPPY CHRISTMAS
A FRAGMENT OF HIS STORY
A MALL TIMELINE
The fully enclosed shopping mall did not appear until the mid-1950s.
West Edmonton Mall opened its doors in 1981.
It was the world's largest mall until 2004.
UP NOT OUT
The effects of urban sprawl is disastrous to happy livable cities, not to mention, food security and the health of the environment. For more information on the annexation proposal and to take the survey, click here.
PERSONABLE SPACE
A WISH AND A WARNING
It is our responsibility to treat buildings from our past as pieces of our heritage and therefore reflections of our collective identity. Similarly, the buildings we erect should embody the ideals we wish to pass on to future generations. We should not accept anything less.
Oliver Community League was a model of community engagement, and still they lost their battle. Allowing an icon like the Molson Brewery to go the way of the Arlington and the Gem Theatre should be a crime.
For more information regarding Oliver Community League's fight to have a say in the Molson Crosstown redevelopment, and stay up to date on the project's progress, click here.
FOR THE PEOPLE, BY THE PEOPLE
Quoted from Challenges and Warts: How Physical Places Define Local Economies on Project for Public Spaces.